The Graphic Communication Society of Oklahoma
The GCS began in the early 1970s as the Oklahoma City Art Director's Club, then became the Graphic Artist's Association, and, since the early 1980s, the Graphic Communication Society of Oklahoma, inspired by the Dallas Society of Visual Communications. But, in the early 1990s, the membership numbers decreased and enthusiasm among the design community to get involved was waning. The organization had gotten tired - the same old stuff each month. There was a lot of work to bring in speakers and to promote the monthly meeting. It got to the point that the officers called a pow-wow meeting to discuss the future of the organization. One officer even wore all black to the meeting, thinking it would result in the death of the GCS.
As an educator, I saw the society a bit differently - it could have value as an adjunct to formal teaching by pooling resources and providing programs of significance. While disappointed (and even a bit angry) at the meeting in which so many wanted to just give up, I volunteered to serve as the new President and work to reorganize the GCS and turn it in to a healthy organization. I assembled a team of others who had gotten disappointed and were willing to invest time and energy to make it work. Most of the new board were design educators as, I suspect, we had the most to gain from a healthy design organization in Central Oklahoma. We developed a mission, objectives and philosophies to guide us.
New objectives and philosophies
• Keep operations simple, do not overburden anyone.
• Do these 3 things for the membership at each program:
Give 'em something free at each program
• Call the events programs, not meetings (people don't really like meetings).
• Avoid committing to monthly meetings, just promote each program - membership didn't keep track, anyway.
• Don't strive for a yearly calendar - provide programs as available.
• Encourage presenters to avoid just showing their work, anything that one could read in CA magazine
• Each program should have a theme, topic, or lesson that is impactful and inspirational, and the membership should walk out with something in their hand to convey tangible value.
• Programs don't always have to be national; local/regional speaker logistics are less expensive.
• Promote the programs with one-color post cards. Donated design and printing often resulted in late announcements - so they were useless, negative even.
• Obtain corporate sponsorships to help defray operating costs.
The Graphic Communication Society is a forum for exchanging ideas and skills to:
• Enhance and encourage the member's growth as a visual communicator.
• Educate the Central Oklahoman about the impact of visual communication in society.
• Provide opportunities for socializing and networking.
• Raise the quality standard of design in Central Oklahoma.
• Impactful programs See list below
• The GCS BlackBook
A valuable resource with listings of Central Oklahoma designers,
agencies, printers, photographers, and suppliers.
• Design magazines
Art & Design News
Graphic Design: USA
• The GCS Cafe
Networking and socializing with food and drink in the City Arts Center Gallery.
Posters by presenters
Triangle A&E literature and coupons
Internet and Web info handouts
• OK Illustrators: Tim Jessell, Cameron Eagle, Mike Wimmer
• Michael Manwaring, designer, San Francisco
• McRay Magleby, designer, educator, Utah
• Broadcast Graphics: Brian Hall, OKC Channel 4
• Neil Powell, designer, Duffy Design, Minneapolis
• Rick Valicenti, designer, Chicago
• Bill Dawson, Video Graphics, Los Angeles
• Cameron Eagle, Pepsi Super Bowl campaign
• Technology at Triangle A&E: demos and vendors
• David Sterling, designer, WorldStudio, New York City
• Design by Objectives: Joseph Essex, SX2, Chicago
• Where having fun isn't just for kids: Bill Gardner, designer, Wichita
• The Internet & Visual Communications, presenters & demos
• Communication Graphics, national AIGA gallery exhibit
• Market to Market: Jim Starr & Les Kerr, designers, Dallas
Officers and volunteers
Carey & David Hissey
• City Arts Center
• Consolidate Business Supply
• Graphic Arts Prepress Lab
• ImageLab, BMI
• KFOR-TV, Channel 4
• Order-Matic Digital Imaging
• Semco Color Press
• Superior Graphics
• Triangle A&E
$40 Professionals (raised to $45)
$20 Students (to $25)
Handouts of info
AIGA: the professional design organization
I served as the President of GCS for three years. The excitement of the new GCS within the design community led to discussions on the viability of creating an Oklahoma chapter of AIGA, the national organization for graphic design. While there were some disagreement (primarily over the higher costs of the AIGA membership), enough were excited about the opportunity to raise the stature of design in Oklahoma by joining a national organization. Assessment and development meetings were held during the summer of 1996 and the new AIGA Oklahoma began operating that fall.
Above: Map to AIGA events. Below: Proposal for membership categories
The AIGA Fellow award
Every year the AIGA, the national organization for design, awards medals to outstanding individuals and firms that have made a significant contribution to design. Another award given is for AIGA Fellows - I was nominated by the Oklahoma chapter and participated in the 2008 The AIGA Design Legends Gala in New York City in September 2008.
Held at the Chelsea Piers, with Hudson Bay and New Jersey in the background. Socializing before dinner.
Posters and prints for the silent auction. I won a print by Deborah Sussman of her graphics program for the LA Olympics in 1984 and a print by Clement Mok, one of the evening's medal recipients. The dinner with speakers and presentations.
A stellar group of designers. From left: Massimo and Leala Vignelli, Ivan Chermayeff, ?, ?, ?, Clement Mok, ?, Milton Glaser, ?, Steff Geissbuhler.
Jim's AIGA Fellow bio page
Other activities while in NYC for the Fellows Gala
Me and some drunk passerby, club patron, or vice cop - I just don't remember. Curiously, it looks like we're singing something. Taking a short nap on 42nd Street.
To respond to numerous requests for more information about the Lace strip club in New York City (8th Avenue, just north of 42nd Street):
• Yes, you might get special treatment if you mention my name. That can range from a waived cover charge to a stud discount in one of the back rooms. However, if you do mention my name, be aware that they know me only as Rod Thrustenberger.
• In the reference above, I mistyped - Lace is not a strip club, its a Gentleman's Club or Gentlemen's Club (it is spelled both ways on the signs in the foto). As far as I can tell, a Gentlemen's Club is just a strip club with better cocktail glasses.
• Please keep in mind, I was there only to assess the design of the Lace logo (as seen on the awning canopy in the foto). Anything I know about what goes on inside is only from stories I've read and heard. BTW: the logo is awesomely superb. I think.
I spent several hours at the Museum of Modern Art. I took a break at the Terrace Cafe on the fifth floor while looking out on a spectacular fall day in Manhattan. I had a lunch of bread, coffee, and organic deviled eggs: black caviar, pickled red onions, and herb creme fraiche. I don't usually eat caviar (hardly ever) but I love deviled eggs and splurged on this. They were delicious. I ate all but one before I decided I better get a picture of a caviar deviled egg. The foto on the right is how I stacked my dishes for the server.